It is, first of all, the freedom of the other person, of which we spoke earlier, that is a burden to the Christian. The other's freedom collides with his own autonomy, yet he must recognize it. He could get rid of this burden by refusing the other person his freedom, by constraining him and thus doing violence to his personality, by stamping his own image upon him. But if he lets God create His image in him, he by this token gives him his freedom and himself bears the burden of this freedom of another creature of God.This freedom of the other includes all that we mean by a person's nature, individuality, endowment. It also includes his weaknesses and oddities, which are such a trial to our patience, everything that produces frictions, conflicts, and collisions among us. To bear the burden of the other person means involvement with the created reality of the other, to accept and affirm it, and, in bearing with it, to break through to the point where we take joy in it.
Monday, December 27, 2010
Life Together- Dietrich Bonhoeffer
Friday, December 10, 2010
Tuesday, November 23, 2010
on the spiritual life...
Monday, November 22, 2010
yes.
Friday, November 19, 2010
what the body told - raphael campo
I was recently asked to explain what makes a poem 'good'.
I could babble on for hours explaining poetry and finish by simply saying, it's something you know. But that's a cop-out.
I guess it's a clear image. That's the thing in a poem: the image. And beyond that, it's the universal made new. It's a feeling you know, expressed by an image you have not imagined. That's what ramrods you about good poetry. You've already felt it. You just didn't know it, and you've never articulated it or honored the emotion with an image.
So, see, I could babble on forever, but instead I will give you a poem. This one sums up, to me, what good poetry is.
Not long ago, I studied medicine.
It was terrible, what the body told.
I'd look inside another person's mouth
And see the desolation of the world.
I'd see his genitals and think of sin.
Because my body speaks the stranger's language,
I've never understood those nods and stares.
My parents held me in their arms, and still
I think I've disappointed them; they care
And stare, they nod, they make their pilgrimage
To somewhere distant in my heart, they cry.
I look inside their other-person's mouths
And see the wet interior of souls.
It's warm and red in there — like love, with teeth.
I've studied medicine until I cried
All night. Through certain books, a truth unfolds.
Anatomy and physiology,
The tiny sensing organs of the tongue —
Each nameless cell contributing its needs.
It was fabulous, what the body told.
Raphael Campo