My curiousity about Sappho was peaked when I studied e.e. cummings. In college, cummings was greatly influenced by the fragments and shaken syntax of Sappho. Here's a poem of hers:
]heart
]absolutely
]I can
]
]would be for me
]to shine in answer
]face
]
]having been stained
]
The open brackets indicate torn or rubbed away fragments of papyrus. Anne Carson, in this version, has taken what is legible and morphed that into a poem, of sorts.
Now here's one of cummings:
(but
true
to the incomparable
couch of death thy
rhythmic
lover
thou answerest
them only with
spring)
The way he forces whole thoughts into fragmentation is homage to her fragmented thoughts. This fragmentation is arguably what made him such a popular poet.
While it was a clear choice for Cummings, Sappho never meant for her writing to be broken apart. Yet it's taken on a life its own because of this loss. For example, this one:
]
]
]Atthis for you
]
]
That's all of it. There's nothing particularly magical about those words. It's the emptiness surrounding them that sings.
There is something really powerful in silence. The situations that still haunt you, in all probability, are the ones for which you still don't have clear answers.
What I leave out
the whole pieces
of nights when maybe it rained
I trained
memories to flake away
like cheap gilding
like that was all you weighed
so truth patches
beneath other things
even for me
what I want
is to find the scroll
where you keep me
in scratches and [
there is no reason
except
things erased
still
factor
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